Photographer Clay

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  • My greatest photography challenge

    My greatest photography challenge

    My greatest photography challenge is myself. It isn’t a lack of creativity, it isn’t a lack of inspiration, but often it is a lack of motivation. Lately, I can find a thousand and one things that draw my attention away. Yesterday, I was totally remiss and didn’t write a blog entry. Besides going to work at my so-called “9-5” I came home sat down and just vegetated. My excuse? Well, this month we had our young grandsons (5 and 7-year-olds) every weekend and then for 8 days. While I loved the time with them I must admit I’m not used to all the activities. While this may be an “excuse” for this month I’ve found other reasons prior.

    I don’t mean that I don’t do photographic things, I just haven’t taken many “new” photographs. It’s too hot, it’s too cold, I’m too tired, or any other little “excuse”. So, my challenge to myself this week is to take some damn pictures. The procrastination must end. (Just a little kick in the seat of the pants to me). If you have had this same problem lately, join me in getting something done. It doesn’t have to be fancy or complex. A simple still-life or snapshot of a bird, squirrel, or flower in your own yard.

  • Creatively challenging yourself

    Creatively challenging yourself

    I’ve been a bit remiss in this area lately. I’ve done some things but it seems as if a friend has prompted me to get creative. In the past, I challenged myself in creative ways by trying new techniques, lighting, camera angles, and such. I’m not entirely sure how I got here and I can probably come up with dozens of reasons I haven’t challenged myself or, for that matter, done much photographically. Truly, I have little real reason to not challenge myself. In fact, if I want to work on portrait lighting I have a couple of models in the same house.

    The challenge it just getting started. For me, it is something like a fitness program. The hardest part is getting started. Once I get going it becomes easier. All that said, the photographic fitness program begins today. Challenge yourself this week, try something new or different.

  • Portraits with drama and emotion

    Portraits with drama and emotion

    An inspirational source is black and white movies. Typically those from the mid-1940s through the 1950s. To me, this black and white film era showed the work of true lighting masters. The work of the gaffers, grips and best boys was phenomenal. This always keeps me inspired to utilize lighting equipment and light modifiers when doing portrait work. Yes, even in daylight.

    Even though my woodland fairy isn’t black and white and was shot near midday I set up lighting to give it the look I envisioned.

    When I watch movies, especially those from the 1940s through the 1950s I pay special attention to the lighting. Many modern movies with color grading and highly specialized lighting equipment are beginning to influence me as well.

    In each of the photographs, I have included in this post the lighting was very intentionally created. They all used light modifiers and supplemental lights.

    The blues

    Lighting does as much to create a mood or emotion as does the model. For me, to truly become creative it is important to learn to control the light.

    Begin by paying close attention to the lighting and camera angles in movies.

  • Where is your dream photography location?

    Where is your dream photography location?

    Yesterday, I read a social media post on a well-known photography store asking followers what their what was the dream photography location. As you can imagine the vast majority were the iconic locations. Yosemite, Iceland, Patagonia, Antarctic, and so forth. This got me to thinking, all those are awesome places and I’d love to photograph them but are any my dream locations. My answer was no. I’m not sure of my dream location but I am pondering it as a result of the question.

    My dream location isn’t going to be the iconic area that has been photographed ad nauseam.

    What about the back roads of Kansas, Missouri, or Nebraska? We rarely see the landscapes of those areas. We see loads of Yosemite, mountains, waterfalls, the ocean. We see lots of locations of what many of us think of as exotic.

    All of this reminds me of a couple of trips. One my wife and I went to visit our son when he was stationed at Camp Lejeune. We were going to the beach one day. The bartender at the hotel where we were staying said she hadn’t been to the beach in years. The beach was only a mile away from our hotel. Then the time in Colorado where my wife was admiring a view of the mountains and the local said, “yeah it’s always there.”

    My dream location is maybe my local area with time to spend just cruising the backroads finding what I can find.

  • Growth as a photographer

    Growth as a photographer

    One of the things I think about often is growing as an photographer. I frequently ask myself could you have created the same photograph 5 years ago? If I find myself saying yes I may not be growing as a photographer. Yesterday I heard a podcaster mention that some of the most iconic work from the masters of photography were created when they were over 50 or 60 years old.

    Maybe there is still hope for me. August has been a very busy month for me with little opportunity to do photography things.

  • Cliché versus original

    When planning or thinking about photography trips and locations we often think about going to the cliché locations. Places that have been photographed ad nauseam. Often we think of creating a copy of something someone else did before us. I’m in a mode of thinking about some of these types of trips and I am leaning more towards the lesser known places to create work that is more original.

  • My photography future

    My photography future

    This post is going to be somewhat of an announcement and somewhat of a roadmap for myself. In a bit over 5 months, I’m re-retiring. Not from photography or blog writing but from working a “9-5”. The last time I retired was in 2011. During the time I was retired from working I took loads of photographs and even some photography trips.

    I’m currently working out logistics in my head of where I want to visit for my first photography trip. It doesn’t have to be far. While many may not believe there are many aesthetic places in Kansas and Missouri I would also argue that “you’re just not seeing, you’re only looking”. Even though I may be “getting older” (I really don’t feel like it) I believe my photography is just getting started and with more time to dedicate to my photography and writing, I can’t even imagine where I will be a year from now.

    During these next 5 months or so I’m working on getting some skills honed, and sites set up (including this blog which I plan to expand). I want to include you all in my next adventure so I decided to give you a “heads up” to prepare to follow along with my adventures.

  • Seeing art versus envisioning art.

    Seeing art versus envisioning art.

    I can art but that doesn’t mean I can envision art. It is much easier to photograph something or someone that already aesthetically looking. The true artist can see the aesthetic value of many ordinary everyday subjects. It is our vision to bring out the beauty in the ordinary. Look don’t just see.

  • A new dawn of my photography

    A new dawn of my photography

    Sunrise over the pond

    One of the first things I did this morning was to open Lightroom and browse through some of the community photos. I don’t mean Adobe Lightroom CC (the desktop version) but Adobe Lightroom that you can use on a mobile device, tablet, or desktop.

    Adobe Lightroom Discover

    I have begun to re-realize that the sign of a true artist is not being able to see artistically in things that are already artistic but being able to see art in the ordinary world around us. Seeing how others may view our small section of life and the world around us and how we envision life and the world around others.

    In addition to discovering more of the work of others, I have also found that I don’t always need to have my “big” camera to create art. I can create interesting and creative art with my smartphone. I have re-learned to see the world around me.

    I don’t intend to give up or replace my dedicated camera gear but this newly found venue of a greater community of artists willing to not only show their work but to allow others to process and show how they envision the scene has given me a fresh look at creating art.

    I understand that not everyone uses Adobe Creative Cloud products giving them the opportunity to work with the same community as I can. If you do use these products I encourage you to try it out. If you don’t use these products, find a similar community. For me, this community has rekindled a new adventurous creativity.

  • How seriously do you take your photographic art?

    How seriously do you take your photographic art?

    How seriously do you take your photographic art? How much effort goes into the initial image? Does the same amount of effort go into the final artwork?

    I have always said that the camera cannot reproduce the image I have in my mind’s eye. I can often get close but it is very rare that the final work is complete at that time of the shutter release. As much as I love technology until it gets to the point where the camera can “read my mind” (and I am not sure I want that) I will always further develop my photographs using software or darkroom techniques to further bring them to match my vision.

    The amount of time to develop the featured image was more than the actual time it took to set up and capture the initial photograph. I added nothing and removed nothing but to match my vision there was a lot of work done. Correcting perspective due to lens distortion, conversion to black and white, dodging and burning, along with adjustments to contrast. Modern software made the process a bit easier but even with the built-in artificial intelligence in making selections I needed to manually assist in fine-tuning the selections.

    While I take my photographic artwork seriously it doesn’t mean I don’t have fun and enjoy it. The creation of the final piece of art is personally rewarding to me. I love seeing my vision come to life.