Photographer Clay

Tag: art

  • Five simple tips to great photography

    Five simple tips to great photography

    Five simple tips to take great photographs. I see these types of headlines, or something very similar to the every single day. Then you get into the article and they say the same things every other article says about photography. Learn exposure, get closer, blah, blah blah. Simple right? Well maybe but maybe not. I’ve taught people just beginning photography. When I teach a beginner, I go out with them to help guide them. What sounds simple isn’t always so simple. I read a lot of these articles, or watch online videos that are similar, just to see if they have some “magic” technique. I haven’t found one yet. To me, this is becoming the problem I see with photography. This has become the way to learn photography and what we’re getting is everyone is taking the same photographs. They all look like everyone else’s photographs.

    When I have taught beginner photography the first thing I mention is that I don’t want to make them a copy of me. I want them to find their own style(s). I’ll teach the concepts and let them explore. Online instruction is fine in some cases, but to depend upon a video to teach as the only source often leads to confusion and failure. What if you have a question? You don’t have an instructor, if you send an email or post a comment you may, eventually, get an answer.

    If you really want to get better at photography find a real class or mentor that you can have real interactions with and help guide you personally. I feel like today we are losing personal interactions in hopes of fast and easy. Fast and easy is rarely good and far more often not even close the great.

  • Vision vs sight

    Vision vs sight

    To most people the two words are synonymous but to an artist, the two terms are very different. I know we hear photographers and artists talk about visualizing a work. A photographic artist can see a subject or scene and visualize a final piece of work. New photographers often struggle with this concept especially those who were not trained in art. Experienced photographers who can visualize a piece from a subject or scene often have difficulty explaining how to achieve the ability to visualize. I get it. Being able to teach someone how to use their mind and eyes to create a view of a work of art is at best a fuzzy concept. My photography school wasn’t particularly good at teaching this concept either.

    One way I was able to teach myself how to visualize was through experimentation in post-processing and in using my camera and photography tools in manual mode. In the beginning, there were some horrible results. I won’t call them failures because it was a matter of learning. Another technique I used was watching movies, particularly old black and white classics. Many of the old directors of photography and gaffers were masters of lighting. Lighting effects had to be created at the time and not through the use of special effects. Today, we see many movies made that employ the use of color grading, one of my favorite techniques.

    The entire point of this post is to get us to consider experimentation with our gear and software. Even if the experiment results in a horrible failure, it isn’t a failure. When we work with our digital assets we can work with copies and we can always start again. Don’t look at a horrible experiment as a failure but as part of a learning process. Take it further than you normally do you just may surprise yourself with your art.

  • Sometimes less is more

    Sometimes less is more

    I see this more often with wedding and portrait photographers but it exists in all genres where we or our clients believe the photographer must take hundreds or thousands of photographs during a session. Once those hundreds or thousands are taken the vast majority must be great. I have tried to understand when, why, and how this trend began. At the same time, I photographers say to go back to film to learn to be a better photographer because you’re limited in the number of photographs you can take, yet many of these same photographers provide massive numbers of photographs for their sessions.

    I used to loath the term, less is more. I have always thought to deliver a finished product that is better than expected but I have come to better understand what often the expression means, at least to me. It’s not always the quantity of delivering more but delivering less of a higher quality. When we attempt to pack too much into a session, we often become sloppy and careless. This can include any photography we are doing. By setting a goal of coming away with hundreds or thousands of photographs maybe we would be better served by slowing down, limiting our numbers, working to obtain the best exposure, best composition, best subject. As an artist, we shouldn’t be concerned with mass production but quality art.

  • If you could have anything

    If you could have anything

    Photo by Eva Elijas on Pexels.com

    I heard this question posed in a podcast I listen to a week or so ago and I have been thinking about it ever since. The question that was posed was, “If I could grant you anything you wanted for your photography what would it be? Would you want a new camera? A new lens? To travel more?” The podcaster went on to say nothing was out of the question. But, this was a three-part question. The next question was, “why did you choose that?” and the third was, “what have you done to achieve that?” I’ve thought about those three questions since I have heard this podcast and decided it was time to talk about it.

    While I began writing this I was able to answer those questions. My answer to the first question is, I want more artistic motivation. I let my motivation falter in the winter of 2020. The world camera came under attack by a global virus. One that, at the time, there was no cure for, no known treatment, or vaccination. It became easy to sit inside and watch the world go by. Just like an exercise program the more you skip the workout the easier it becomes to skip. Motivation, once lost, is difficult to bring back as I am finding out. I still see fantastic scenes, subjects, and light. I still have creative ideas I want to work on. It’s just getting it flowing again. I suspect many of you have had a similar experience. I can even answer the third question today. I started writing this blog about my thoughts and ramblings. I recently started taking a camera with me wherever I go. The artistic motivation is coming back, slowly but it is getting there.

    Spend some time to think of what it is that you want to further your photography. Then, answer the final two questions, why did you choose that thing and what have you done to accomplish it. Let’s further our artistic journey together!