Tag: fine art

I mentioned yesterday that I watched a webinar given by a well-known photographer. During the webinar a question was asked, “is that a composite or in-camera shot” pertaining to a photograph he showed. His first response was, why does that matter? This is exactly what I say about such photographs when people ask, is that Photoshopped?

With film, you don’t hear people asking how the image was processed in the darkroom. Questions such as, what chemicals did you use? Did you dodge and burn? How long did you process the film in the chemical wash? What were your settings on the enlarger?

I’m not sure about others but I work to create art not a copy of reality. As good as my camera is, it still cannot create the art I envision. Sometimes, I underexpose a shot to preserve highlights and then bring up the exposure of the subject in post-processing. Sometimes, there are elements that cannot be cleaned up that get included in a shot that distracts from my vision and those elements are removed in post-processing. Sometimes, the lens is too sharply focused and I envision a softer focus which is achieved in post-processing.

In the end, you either like a photograph or you don’t. If you like it does it matter how it was processed? Likewise, if you don’t like a photograph it also doesn’t matter. It’s all subjective and about the art, not the process of creating the art.

Winter time can be a very tough time for landscape photography, especially in the midwest. Nearly everything is some tone of brown. The grass is brown the trees are brown, and the leaves are brown. One must often look carefully for any color. Even if you’re converting to black and white it is all about tones and when everything has a similar tone it is difficult to get much separation. It can be found, just keep looking. This is the time of year to challenge your creative eye.

I used to be able to just point my camera at something and snap a picture and be satisfied. Now, I go out and may take several pictures and get back and think eh! I do believe that it is for the best, sometimes. The reason I say so is because of the photograph above. I was just browsing my catalog of “assets” (as many call their catalog of photographs) and my wife asked me, “when did you take that one?” The photograph above I took just over a month ago. When I took it I thought it was decent. I converted it to black and white, I believed the color was distracting, and the more I looked at it the more I thought eh, it’s okay but. What I found interesting was that someone else saw the photograph and it caught their eye. Now that got me thinking maybe I’ve become too selective. Maybe I am looking too hard for a wow factor and not finding it, the proverbial can’t see the forest for the trees. Maybe it is time for a reset, you know, “have you tried turning it off and back on again?

I’ll be back tomorrow, I’m restarting my system.

I take a lot of sunrise photographs and I’m sure many of you may wonder why? I’m an early riser, most of the time I’m awake and up before the sun rises. I find each sunrise unique. Taking a photograph of the sunrise also gets me out and thinking about photography and creating art. Sometimes, like today, I grab my “real” camera and set up the shot. Other times I use my cell phone. It doesn’t matter which camera what matters is to start the process for the day.

While there are many days I may not take many other photographs taking a photograph of the sunrise starts my new day, getting me thinking about art and photography. It generates the mental flow of developing concepts and techniques.

What stimulates your thoughts of creativity and art, I’d love to know.

Something I have been noticing a lot lately is there appears to be a trend toward the mundane with photography. It hasn’t been just one source, but rather many. Every day, I browse through a variety of websites looking at photography. I do this just to see what others may be doing, looking for things that will inspire me to be more creative. My intent is not to copy but rather develop my own concepts by viewing the creativity of others.

What really brought this to the forefront for me was there were a few of the so-called go-to sites that have always inspired me. For the past few weeks though, I have found myself scrolling and scrolling through these sites finding nothing but boring, un-interesting photographs. I mean photographs that I can’t move to the next fast enough. It is estimated that we spend between 15 and 30 seconds viewing a piece of art in a museum. I conducted a rough estimate of the time I spent viewing new photographs submitted to one of my go-to photography-sharing websites which previously was chocked full of wonderful pieces of work. I was spending, roughly, 1 to 2 seconds viewing images. Not just a handful of images but pages and pages. Even if I go to the popular photographs as voted by the visitors I see a significant percentage that appears to be popular merely because they include a scantly dressed or nude woman.

Is creativity dying? Is it because we are in the instant gratification of digital photography surrounded by one-click presets? Is it because we wish to follow what appears to be the popular trends set by others? Is it because we have become used to being told what to think and believe? I am not sure of the reasons behind this but I do believe we, as artists, need to go back to creating and inspiring the world around us. We need to get back to innovating rather than merely regurgitating what is popular and trendy. If not I fear that we will move back to the realm of boring and unimaginative photography.

I was doing what I often do to come up with a topic to discuss today, just browsing through my catalog of photographs when I noticed a common issue. Why do we usually take so many photographs? In the session where the photograph above came from I found I still have 652 files. Ninety-plus percent of them will never likely see the light of day. A friend of mine also recently commented about people “bragging” about how many photographs they took during a session. Are we doing this because we can? Are we afraid of missing out? Would we be better off planning and taking two or three photos rather than 10 of a similar pose.

For me, a similar issue is just pointing the camera at something and snapping a photograph. What is the purpose? Why this scene or subject matter? What, if anything, am I attempting to say or relate to the viewer? Is it interesting?

Let’s talk about the photograph of the bird above. It is horrible. It reminds me of nothing. No adventure, no family memory. It was a trip to the zoo. I’ve kept this photograph for 15 years. Why? For fear of deleting history? For fear of missing out?

Over the course of a week, I discovered and deleted nearly 4,000 files. Many were duplicates, some were just bad poorly executed photographs, some were attempts to learn or perfect techniques, and others were just photographs that were never going to be used for anything.

I am starting a new plan. I need to ask myself before I take a photograph, what is the purpose, and what am I trying to say or convey to my viewers even if it is just myself. Photograph with purpose not just push the button because I can. Join me, don’t fear missing out. Let’s show the world what we enjoy, and convey the message we want to convey, express ourselves with purpose.