Photographer Clay

Tag: fine art

  • It isn’t always about you.

    It isn’t always about you.

    I have pondered this post for a couple of weeks now. In fact, I started to write it and gave it a title, then I stopped because it was going to be too much of a rant on new or beginning photographers and selling their services to customers. I ran through several wording styles in my head and then finally deleted the entire post this morning.

    The reason I wanted to start over was that I have been reading a book, Inner Excellence by Jim Murphy, and yesterday I came upon two quotes that resonated with me. The first was, “if all you see is chickens and chicken scratch, it doesn’t matter if you are an eagle; flying won’t be part of your world.” The second was, “expect nothing, prepare for anything.”

    These were very powerful messages for me, igniting a self-reflective journey. Instead of concerning myself with what others were doing or how they were marketing their photography services, I needed to focus on mastering my own mind. By doing so, I would subsequently empower myself to master my unique vision and skills in producing the art I truly want to create. My obsession with the perceived failures of others was clouding my judgment and inhibiting my own self-mastery.

    Rather than rant about this publicly, I realized there’s tremendous value in working to demonstrate the message I was attempting to relay to others. The true path to inspire and be of service to others lies in action rather than mere words or criticisms. By focusing on my inner growth and honing my skills, I could transform the frustrations I feel into motivation and clarity. In doing so, I pave the way to uplift others in their journeys, reminding them that personal excellence often stems from a place of introspection and self-awareness.

    This renewed perspective has encouraged me to cultivate a mindset where I expect nothing but prepare for anything. Embracing this principle allows me to navigate challenges without getting bogged down by the comparative metrics that often stifle creativity and joy in the craft. Each photographer’s journey is unique, and by staying true to my own path, I can create visuals that reflect my personal story, thus leaving space for authentic connections with others who appreciate my work. Through this reflection, I turn the quest for excellence into both a personal and collective endeavor, fostering a community where creativity thrives.

  • The Internet – What a strange and often fascinating place.

    The Internet – What a strange and often fascinating place.

    I am entertained on nearly a daily basis at some of the comments I see made throughout the internet. So many times, I see comments that profess to be facts but are merely an opinion. I will give you that an opinion can be a nearly a fact but only after some designation that the opinion is given by an expert in the particular field for which they are expressing an opinion.

    Recently I expressed some thoughts on a question in a photography forum where a member asked a question about laptops versus desktop computers and which was “better”. Wow! What a can of worms that opened up. Most of the replies were merely opinions, nothing wrong with that, a few attempted to make their opinion a fact, with clearly biased information. I could tell where the anti-laptop person was going from the very first line of their “opinion”, “Laptops are crap for editing”. Well, that may have been the case a few years ago, but times have changed.

    I use both a laptop and a desktop. The quality of my output is the same on both computers. I’ve used Mac based systems and Windows based systems. Looking at the image above can you tell if it were edited on a laptop or desktop?

    The problem, as I see it, is that so many times new photographers or artists can easily be confused by these “so-called” experts. I should add that the person who stated that laptops were crap in a photography forum had no examples of their photography, no links to examples, and provided no evidence or facts to support their claim.

  • Artificial Intelligence and generative fill tools are not evil

    Artificial Intelligence and generative fill tools are not evil

    There has been a lot of discussion on artificial intelligence and “generative fill” tools (which utilize A.I.) in the past year or so. Many tout the potential abuses, or how these tools will do away with creativity of human artists while other talk of the potential benefit of these tools. I don’t believe these tools are evil, in fact, I believe quite the opposite. These tools are wonderful.

    I’ll give you a couple of examples. First let’s examine the photograph above. What a lovely scene. Springtime with trees and flowers blooming at a local botanical garden. The problem was there were a lot of other people there and attempting to get a photograph of this scene without people was nearly impossible as seen in the photograph below.

    While some may say that it is reality that these places have people but when I look at a scene like this with my own eyes, I often have a tendency to exclude the people in my “mind’s eye”.

    Another example. Have you ever been to a tourist attraction such as Mount Rushmore and attempt to take a photograph without people? It is more challenging that the local botanical garden.

    With these artificial intelligence and generative fill tools it is just a matter of moments and viola, gone!

    It’s not about recreating reality, it is about bringing my vision and how I saw things with my own eyes. The people in both of these examples did not add to the story I was attempting to relate. The story I was wishing to convey was about the grandeur and beauty of the scenes not about the crowds or how people interact with these scenes.

  • There are no rules!

    There are no rules!

    In 1994 during an interview Helen Frankenthaler stated, “There are no rules, that is one thing I say about every medium, every picture . . .  that is how art is born, that is how breakthroughs happen. Go against the rules or ignore the rules, that is what invention is about.” This is often a concept photographers fail to recognize. A bit over 3 years ago I wrote a similar post, “Why are some photographers obsessed with reality“.

    I spend a lot of time following photographers who create beyond the conventional boundaries of photography. They take a photograph and then employ a variety of techniques and processes that transform ordinary images into extraordinary pieces of art. Many of these photographers are formally trained fine artists, equipped with a robust understanding of composition, color theory, and the emotional impact of visual storytelling. Yet, when you step into photography forums, attend club meetings, or view exhibitions, it often becomes evident that a significant portion of the work you encounter leans heavily towards depicting reality, rather than exploring the abstract or the imaginative aspects of art.

    I don’t mean to belittle or denigrate the work or style of those photographers who are committed to documenting the world as it is. Their ability to capture poignant moments, raw emotions, and the beauty of everyday life is undeniably valuable. However, it is important to recognize that there exists another facet of photography where practitioners embrace a more experimental approach. When many photographers who favor traditional styles encounter the work of those who push the envelope—using alternate processing methods or innovative techniques—they sometimes struggle to appreciate the art in what they perceive as mere manipulation.

    For me, photography transcends mere documentation; it is about art and the creative possibilities it offers. Sometimes, I find satisfaction in the images I can capture almost directly in camera, taking advantage of natural light and composition to tell a story. Other times, I delve into the realm of post-production, where I harness software and tools to craft an alternative reality that reflects my vision and imagination. This back-and-forth between capturing reality and creating art is a dance that I cherish deeply, as it reveals the multifaceted nature of what photography can be.

    There is undoubtedly room for all forms of artistic expression within the realm of photography. Whether one chooses to document life as it unfolds or to transform reality into a vibrant tapestry of imagination, each approach has its place and significance. The diversity in style and technique is a testament to the richness of photography as an art form, encouraging dialogue, inspiration, and growth among practitioners and audiences alike. In this ever-evolving landscape, every photographer contributes to a larger conversation about creativity and vision, fostering an environment where art continues to flourish in all its myriad forms.

  • If only I had time

    If only I had time

    In 2011, I retired for the first time and found ample time for my photography. Initially, I returned to work because I desired something to occupy my time. I began with a part-time job but soon transitioned to full-time. Since then, I have held two more positions, each demanding more of my time. Despite this, I was able to find time for both photography and writing. I retired permanently just over two years ago, and now it appears I have little time or perhaps interest in my writing and diminished passion for photography.

    What I have found intriguing is that with more free time, I seem to have less of it. It’s a paradox that many can relate to: the idea that freedom can sometimes feel constricting. Although my interest in both activities has not waned, I often find myself making excuses to postpone them. Instead, I have developed a keen interest in computer gaming, an avenue I had previously set aside. I once believed my writing and photography skills provided an escape from societal drama, but I have come to realize that I have replaced those activities with computer gaming, immersing myself in digital worlds where I can forget my worries and responsibilities.

    In the midst of this shift, I received news about a somewhat serious medical condition that, while correctable, will require a considerable amount of my time and energy. Furthermore, it will necessitate significant changes within my family dynamics. Although these changes are destined for the better, each new development has served as a distraction from the things I once cherished.

    However, with the arrival of warmer temperatures, I am determined to reconnect with the outside world and embark on a photography journey. Spring and summer offer such vibrant opportunities for capturing the beauty of nature and the life around me. I believe this endeavor will not only reignite my passion for photography but also encourage me to write more in this blog. My goal is to bring you all along with me on this journey, sharing my experiences and discoveries as I step back into the sunlight.

    I sincerely hope that you, my readers, will feel inspired to share your own art and words as we move forward together. Let’s embark on this creative exploration and support one another in rejuvenating our artistic spirits. The shared journey promises to not only enrich our lives but also create a community of like-minded individuals eager to express their passions once again.

  • Creating Photographic Art: Capturing Life Through the Lens

    Creating Photographic Art: Capturing Life Through the Lens

    Hey there, fellow photography enthusiasts! Today, let’s dive into the fascinating world of creating photographic art. Whether you’re picking up the camera for the first time or you’re a seasoned pro looking for some fresh inspiration, there’s always something new to explore in the realm of photography.

    Finding Your Style

    First things first, let’s talk about finding your own unique style. It’s super easy to get caught up in what others are doing—especially with social media showcasing stunning visuals every minute of the day. Instead of chasing trends, take some time to reflect on what truly resonates with you. Is it vibrant colors or moody shadows? Do you love portraits or landscapes? Experimenting with different techniques can help you pinpoint what makes your heart sing. So, get out there and try new things until you discover your groove!

    Mastering Composition

    Once you have an idea of your style, let’s tackle composition. This is where the magic happens! The rule of thirds is a classic starting point: imagine your frame divided into nine equal parts, and place your subject at the intersections of these lines. But don’t stop there! Break the rules when it feels right. Sometimes the most captivating images come from off-center compositions or unexpected angles. Just remember to keep your audience’s eyes moving across the frame!

    Playing with Light

    Now, let’s chat about one of the most crucial elements of photography—light. The difference between a mediocre shot and a breathtaking one often comes down to how you use light. Golden hour? Yes, please! That soft, warm glow adds a magical touch to any photo. But don’t shy away from experimenting in harsh midday sun or using artificial lighting to set the mood. The key is to understand how light interacts with your subject, and to leverage it to enhance your storytelling.

    Telling a Story

    Speaking of storytelling, every photograph has a story to tell. Whether it’s an intimate portrait or a vast landscape, think about what you want your audience to feel. What emotions are you trying to evoke? Consider adding elements to your compositions that contribute to the narrative—like including people in urban settings or capturing details in nature. The more you think about storytelling, the more depth your photographic art will have.

    Post-Processing: The Final Touch

    Finally, let’s not forget about post-processing—this is where you can really make your images pop! Editing isn’t about changing the reality but enhancing it. Simple adjustments like contrast, saturation, and cropping can take your photo from good to stunning. There are tons of editing tools out there, so find one that suits your style and start experimenting.

    Creating photographic art is an ongoing journey of exploration and expression. The best part? There are no hard and fast rules! So grab your camera, step outside, and let your creativity flow. I can’t wait to see the amazing art you create!

    Happy shooting, everyone! Feel free to share your thoughts and experiences in the comments—let’s keep this conversation going. 🌟

    Until next time.

  • Learn to fail before you learn to succeed

    Learn to fail before you learn to succeed

    Failure is not the opposite of art—it is its canvas.

    For every breathtaking image captured through the lens, there are countless missed shots, blurry frames, and moments of frustration. Photography, like any craft, is a journey where failure plays a pivotal role in shaping success. Here’s why you should embrace failure as a photographer and use it as your stepping stone to greatness.

    The Lessons Hidden in Failure

    Each “mistake” in photography is a lesson waiting to be learned:

    1. Out of Focus, but Full of Potential The first time you try to capture a subject in motion, you may end up with an unintentional blur. Instead of seeing it as a failure, look closer—does the motion blur tell a story? Failure often nudges you toward creative possibilities you hadn’t considered.
    2. Bad Light, Good Insight Shooting in harsh sunlight or dim interiors can result in overexposed or grainy images. These challenges push you to experiment with lighting techniques, from golden hour shooting to creative use of reflectors and strobes.
    3. Missed Composition, Nailed Vision A poorly framed shot feels disheartening, but it forces you to think about perspective, leading lines, and balance. Over time, failures refine your instinct for what makes a frame compelling.

    Why Failure is Essential in Photography

    1. It Builds Your Skillset Every misstep leads you to explore manual settings, understand the technicalities of your gear, and master the art of post-processing.
    2. It Sharpens Your Eye The more “bad” photos you take, the better your eye becomes at spotting the extraordinary in the ordinary. Failure teaches you to see what you previously overlooked.
    3. It Fosters Resilience Photography isn’t just about capturing a perfect moment—it’s about perseverance. Nature photographers might wait hours for the right light or moment. Portrait photographers often adjust endlessly for expression and mood. Each failure strengthens your resolve to keep clicking.

    Famous Photographers Who Failed First

    • Ansel Adams didn’t always capture landscapes with the precision we associate with him today. Early in his career, Adams struggled with balancing light in black-and-white photography, which led him to invent the Zone System, a revolutionary method for managing tonal range.
    • Dorothea Lange faced criticism for her emotional documentary work during the Great Depression. Yet her so-called “failures” reshaped photojournalism by placing human vulnerability at its heart.

    Tips to Embrace Failure as a Photographer

    1. Experiment Boldly Try new techniques, angles, and settings, even if they might not work. Innovation often arises from risk.
    2. Review Your Work Don’t delete your “bad” shots immediately. Analyze them. What went wrong? What went right?
    3. Welcome Feedback Join photography communities, share your work, and listen to constructive criticism. Every critique is a chance to grow.
    4. Keep Shooting Progress is in the practice. Every shot, good or bad, contributes to your growth.

    Fear of Photoshop and editing.

    I see lots of photographs every day from a wide variety of photographers, some professional and some amateurs. What I see far too often are photographs that look like every other photographer. A photograph of a beautiful colorful bird that looks like everyone else’s photogCraph of the same beautiful colorful bird.

    We often fear standing out to be different either by use of creative techniques, creative processes, or creative post processing.

    1. Creative techniques Experiment with new or different (at least to you) camera techniques. Things like shallow depth of field, deep depth of field, break the so-called “rules” of composition.
    2. Photoshop and editing When I say Photoshop I mean actual Photoshop or Photoshop like programs. I see so many photographers that just do very basic or no post-processing, often stating something similar to “real photographers don’t need that, get it right in camera”. My thoughts is “what is right”.
    3. Guide your viewer Painters create art by guiding the viewer through the painting. Similarly, as a photographer we should guide our viewers through the image and allow our subject matter to stand out.

    Failure in photography is not a barrier—it’s a rite of passage. Each misstep teaches you more about your craft, your vision, and even yourself. So, the next time you review your memory card and find more misses than hits, remember this: every failure brings you closer to capturing the image you’ve always dreamed of.

    What lessons have your photographic “failures” taught you lately? Keep clicking—you’re on your way to success. 📸

  • Photography is a great way to share your thoughts and emotions.

    Photography is a great way to share your thoughts and emotions.

    As artists it is often very difficult to not let out moods, thoughts, and emotions reflect in our work. As a result, I don’t try to not let those emotions not influence my work.

    Lately, I have been feeling very discouraged and somewhat angry at things that are happening around us. Not things in my personal life but rather things I see that affect many others and will eventually affect me.

    This post isn’t about debating about beliefs and emotions but rather that we can use our photography as a window into ourselves. We can inspire others, we can show others that we too are being affected and they are not alone or that we care about them.

    We don’t always have to look at the world through the so-called rose-colored glasses. The world can be beautiful and inspiring but it can also be cold, heartless and depressing.

  • Look for the small things

    Look for the small things

    Landscape photography is not always about the grand scene, the sunrise or sunset. It is sometimes about the small details. I am frequently amazed at others who miss seeing the small details of the forest, or landscape scene.

    While I would not say that I don’t miss some things I do try to make a conscious effort to see small details when I’m out wandering about.

    Try it the next time you venture out into the world, look for the small elements and you may be surprised at the things you never noticed before.

  • Photographic vision

    Photographic vision

    One of the things that I have discovered about photography is that you must learn to see the world around you. On many occasions I have been hiking through the woods or along a trail and had other people ask, “getting anything good”? What most of them have missed are the wildflowers, small insects, the colorful leaf, or the way the sunlight highlights a scene. So much of it is being able to see the world with a different perspective and to pay attention to the details of our world.

    It matters not your genre of photography. What matters is the ability to see and capture the unique world around you.