Tag: quality

  • Why photography

    Why photography

    Why did I choose photography over many other hobbies and artistic pursuits? It is often a question that I don’t have much of an answer to. Like many others, we took photographs of trips and special events (birthdays, Christmas, etc.). Then in the early 1980’s I received a camera, a Canon AE-1, as a gift. At first, I bought the film, and once the roll was completed I took it to one of the 1-hour photo stores. Eventually, I got into developing my own black-and-white film. It was a bit technical and a bit artistic, and being somewhat of a geek and nerd I liked the technology of it all. As a kid and into early adulthood, I was a huge fan of sci-fi and drawing. I enjoyed technology, yeah I was one of those kids who had a “scientific” calculator I carried around the school.

    I watched Star Trek (I’ve still got my Star Fleet Manual somewhere) and learned to use a slide rule along with the calculator. I somehow changed paths and went into a completely different field of work and spent most of my adult life in a field that was far from geeky nerdy. It seemed like the photography thing was going to get me back into that lifestyle since most of the people I knew who had cameras and darkrooms were nerds.

    In the early 2000’s I switched to digital cameras but was still pretty much a “reality” based photographer. I mean I did experiment with post-processing but worked to “keep it real”.

    I then retired for the first time. I began a real photography school. That changed things for me. The coursework forced me into different genres of photography. I had assignments to produce work that I would have never tried otherwise. It opened my eyes and mind to becoming more creative and not necessarily attempting to replicate reality.

    For me, photography gives me the freedom to go from reality to surrealism. It allows me to explore the world around me and then create new visions if I so choose. I can create artwork at home or on the road. I can set up a scene inside or wander the city and countryside. I’m not limited to producing my work at a table or easel. Photography can be instantaneous or a longer process. Photography is both magic and science which as a geek and nerd fulfills that need and also feeds my artistic side of me by allowing me to create whatever I can imagine.

    Why did you choose photography, I would love to hear your story.

  • Time spent studying photographs

    Time spent studying photographs

    I spend a lot of time studying photographs. Not just the photographs I take but also photographs from others. Some of the others I know, and some of them I don’t know. I say studying because I don’t merely look at the photographs. By studying the work of others I find styles and techniques I like, things I had not really considered before, and things I don’t like.

    It is said the average person spends about 15 to 30 seconds looking at a piece of artwork in a museum. 15 to 30 seconds! I suspect that may be much lower when we’re talking about viewing images on social media or a website and yet there are lots of people willing to give a critique or opinion on a photograph on social media after spending a few seconds viewing it.

    Studying the photographs and artwork of others is a way I have found helps me become more creative. I don’t attempt to copy what others have done but use their work as a springboard for my own work, especially if I see something I find compelling. Try it, browse through the work of others, and spend more than a few seconds looking at each photograph. You may be surprised at what you see.

  • What was the last new thing you learned?

    What was the last new thing you learned?

    It is often said that we should never stop learning. With that being said what was the last thing you learned pertaining to your art and photography? When did you learn it? I would like to offer a thought. If you haven’t learned anything new about photography and your art creation, you may not be progressing as a photographer or artist.

    The last thing I learned about my photography and art was a few days ago. I learned more about the AI masking features in Adobe Lightroom and Photoshop. I knew the existence of the tools but I was not using their full potential. In fact, there were a couple of options I was not aware of. Prior to that, I learned what is important to me in my photographic art journey which was something I had struggled with for the past couple of years.

    If you haven’t learned anything new, or for that matter, relearned something you have forgotten, make that a goal for the next 30 days. Learn something new, and continue learning and progressing. Remember we have at the tip of our fingers access to a whole wide world of knowledge.

  • What does it matter?

    What does it matter?

    I mentioned yesterday that I watched a webinar given by a well-known photographer. During the webinar a question was asked, “is that a composite or in-camera shot” pertaining to a photograph he showed. His first response was, why does that matter? This is exactly what I say about such photographs when people ask, is that Photoshopped?

    With film, you don’t hear people asking how the image was processed in the darkroom. Questions such as, what chemicals did you use? Did you dodge and burn? How long did you process the film in the chemical wash? What were your settings on the enlarger?

    I’m not sure about others but I work to create art not a copy of reality. As good as my camera is, it still cannot create the art I envision. Sometimes, I underexpose a shot to preserve highlights and then bring up the exposure of the subject in post-processing. Sometimes, there are elements that cannot be cleaned up that get included in a shot that distracts from my vision and those elements are removed in post-processing. Sometimes, the lens is too sharply focused and I envision a softer focus which is achieved in post-processing.

    In the end, you either like a photograph or you don’t. If you like it does it matter how it was processed? Likewise, if you don’t like a photograph it also doesn’t matter. It’s all subjective and about the art, not the process of creating the art.

  • Getting inspried for photography

    Getting inspried for photography

    Over the past year or so I have struggled to get inspired with my photography. Some of it I blamed on the physical nature of a job I had where I would average 11,000 or so steps in a day, not including the other physical demands of the job. Other times I blamed the weather or my location in the mid-west. In a search to find a way to get inspired, I began to participate in a meetup group. I attended several meetups with other photographers and a number of models. It was fun and it got me out and taking pictures. What I soon discovered, however, was that there were often so many people that I lacked the creativity I desired. There were times when we were literally tripping over each other. Other photographers’ lights were in the way, and you were easily photobombed by others who were moving about the set or location. It was a great way to meet other photographers and make connections with models but the stresses of the actual sessions became too much. I have since stopped participating in that meetup group.

    The experience helped me realize what was really important. Getting out there. Not allowing others to set the creative theme or location. In fact, one day after I decided to no longer participate in the meetup group I got in my car and just drove around looking for things and places to photograph.

    Getting out and just driving about to look is something I had not done in a long time. The act of photography by wandering about allows me to see in a more creative way. Looking at things more artistically. Imagining a time and place that may no longer exist.

    I don’t intend to stop working with photographing people and models but to expand my vision to include as much as I can. There is so much in the world to see and so many more things to photograph, including people. The experience of participating in a meetup group did get me inspired to do more and to think more creatively so it wasn’t a failure it was a kick in the pants that got me to understand what is important to me as an artist.

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  • Winter can be a difficult time for landscape photography

    Winter can be a difficult time for landscape photography

    Winter time can be a very tough time for landscape photography, especially in the midwest. Nearly everything is some tone of brown. The grass is brown the trees are brown, and the leaves are brown. One must often look carefully for any color. Even if you’re converting to black and white it is all about tones and when everything has a similar tone it is difficult to get much separation. It can be found, just keep looking. This is the time of year to challenge your creative eye.

  • Have I become too selective?

    Have I become too selective?

    I used to be able to just point my camera at something and snap a picture and be satisfied. Now, I go out and may take several pictures and get back and think eh! I do believe that it is for the best, sometimes. The reason I say so is because of the photograph above. I was just browsing my catalog of “assets” (as many call their catalog of photographs) and my wife asked me, “when did you take that one?” The photograph above I took just over a month ago. When I took it I thought it was decent. I converted it to black and white, I believed the color was distracting, and the more I looked at it the more I thought eh, it’s okay but. What I found interesting was that someone else saw the photograph and it caught their eye. Now that got me thinking maybe I’ve become too selective. Maybe I am looking too hard for a wow factor and not finding it, the proverbial can’t see the forest for the trees. Maybe it is time for a reset, you know, “have you tried turning it off and back on again?

    I’ll be back tomorrow, I’m restarting my system.

  • Do we concentrate on past work too much?

    Do we concentrate on past work too much?

    Something I talked about a few days ago was keeping too many photographs from the past that thus far have never been shared or viewed past the initial time they were taken. Are we concentrating too much on the past and not enough on the present or future work? Maybe, I have found that I go through previous work far more than I consider new work. There is a small percentage of photographs that I cannot re-create and most of those are family trips and members of my family. Most everything else I can retake and likely do a better job if I were to concentrate on the present and the future. I don’t believe we should forget the past or rid ourselves of previous work because it is often important to remember.

    I am beginning to believe that this mindset is holding me back because I can just go back through my photographs and “find” something rather than create new and improved images. It is time to move onward and create new.

  • Why do I take a lot of sunrise photographs

    Why do I take a lot of sunrise photographs

    I take a lot of sunrise photographs and I’m sure many of you may wonder why? I’m an early riser, most of the time I’m awake and up before the sun rises. I find each sunrise unique. Taking a photograph of the sunrise also gets me out and thinking about photography and creating art. Sometimes, like today, I grab my “real” camera and set up the shot. Other times I use my cell phone. It doesn’t matter which camera what matters is to start the process for the day.

    While there are many days I may not take many other photographs taking a photograph of the sunrise starts my new day, getting me thinking about art and photography. It generates the mental flow of developing concepts and techniques.

    What stimulates your thoughts of creativity and art, I’d love to know.

  • Is creativity dying?

    Is creativity dying?

    Something I have been noticing a lot lately is there appears to be a trend toward the mundane with photography. It hasn’t been just one source, but rather many. Every day, I browse through a variety of websites looking at photography. I do this just to see what others may be doing, looking for things that will inspire me to be more creative. My intent is not to copy but rather develop my own concepts by viewing the creativity of others.

    What really brought this to the forefront for me was there were a few of the so-called go-to sites that have always inspired me. For the past few weeks though, I have found myself scrolling and scrolling through these sites finding nothing but boring, un-interesting photographs. I mean photographs that I can’t move to the next fast enough. It is estimated that we spend between 15 and 30 seconds viewing a piece of art in a museum. I conducted a rough estimate of the time I spent viewing new photographs submitted to one of my go-to photography-sharing websites which previously was chocked full of wonderful pieces of work. I was spending, roughly, 1 to 2 seconds viewing images. Not just a handful of images but pages and pages. Even if I go to the popular photographs as voted by the visitors I see a significant percentage that appears to be popular merely because they include a scantly dressed or nude woman.

    Is creativity dying? Is it because we are in the instant gratification of digital photography surrounded by one-click presets? Is it because we wish to follow what appears to be the popular trends set by others? Is it because we have become used to being told what to think and believe? I am not sure of the reasons behind this but I do believe we, as artists, need to go back to creating and inspiring the world around us. We need to get back to innovating rather than merely regurgitating what is popular and trendy. If not I fear that we will move back to the realm of boring and unimaginative photography.