Tag: Photographer

I’m a photographer

  • Why Ansel Adams was a master

    Why Ansel Adams was a master

    I could list dozens of reasons why Ansel Adams was a master of photography, but the single biggest reason I believe he was a master is that he was not afraid of post-processing. He spent hours in the darkroom getting the best possible print to match his vision of a scene. He was meticulous in both the exposure of the negative, its development, and the final print. I seriously doubt the majority of us are as meticulous. We go out and point and snap. Yeah, I know we have some tools that he didn’t have, we have autofocus, we have built-in light meters, blah, blah, blah. But are you really using these tools to their fullest? Probably not, and in fact, I would say most times, absolutely not.

    Thinking about how haphazard I have come to depend on technology to instantly give me the results I think I want I have decided that I need to slow down, and set up my photographs and truly utilize the tools I have available.

  • What makes a good artist?  Education or life experience

    What makes a good artist? Education or life experience

    A friend asked me, What makes a good artist? Education or life experience. My first thought was wow! What a great question. My second thought was a bit of both but more influenced by life experience than education. As an artist, we project our life experiences through our art. It is often a reflection of ourselves and how we perceive the world. I can’t teach you life experience, it is something you have to, well, experience on your own. I can influence your life experiences, but I can’t control how you perceive them outside of some brainwashing techniques. What can be learned is how to express how your life experiences through your art. The more I think about the question the more I question my first thoughts. Is it like, “what makes a good meal?” or “what is art?”.

    I do believe that as an artist, we give the world a peek inside our minds, thoughts, and perceptions. But, we can also hide our real thoughts and perceptions through our art. Look at the artists who were perceived as happy, funny, and joyful by their art but were truly suffering in their minds. I believe we have more than one personality and we put forth the one we want the world to see often hiding our true selves to our minds only.

    Pondering this question reminded me of the lyrics of a song by Chicago, “Does anyone really know what time it is” because in the song it really questions if we pay attention to the world around us, including the small things, or do we just move along to the next “big” thing. Do we really let the world know us or do we hide our true selves from the world and project only what we believe the world wants us to share?

  • You’re not as good as your camera

    You’re not as good as your camera

    Edward Steichen once said, “No photographer is as good as the simplest camera”. Edward Steichen died in 1973. The first digital camera was created in 1975. It was the size of a printer, weighed 4 kg, used 16 batteries, and recorded images on a digital cassette tape. The first mass-produced autofocus camera was the Konica C35 AF which came to market in 1977. Why all this history? In Edward Steichen’s time cameras were much more simple than today’s modern cameras. So if no photographer is as good as the simplest camera in Edward Steichen’s time we’re not even close nowadays.

    We obsess over gear. We talk about all the features and high ISOs, about the video capabilities of our still cameras, The ability to use more than one memory card where we can store thousands of photographs. We talk about the clarity of the electronic viewfinders, and the sharpness of the lenses with the modern coatings.

    What we should be obsessing over is our ability to take photographs. I watch photographers when they are out doing their thing. They see something point the camera snap the picture and hope for the best. They don’t meter the light, examine the subject, check their position, set up the focus. Yeah, I know, there is a meter in the camera, there is autofocus, but how are they metering, what are they metering, what are they focusing on, why? So many photographers also never leave the standing position. Stand, snap, move, stand snap.

    I think I can do better. I think you can do better. Let’s start to obsess over results rather than gear. Let’s start to plan our shots, do a better job at metering the light, controlling the focus, making sure we have the best perspective, study our subject. Let’s work to get closer to the ability of our gear.

  • Do you really want to improve your photograph?

    Do you really want to improve your photograph?

    Do you really want to improve your photography? If not do you think your photography is the best it can be? If you do what have you done recently to improve? These may seem like simple questions but I believe if we really dig and ponder they aren’t necessarily simple. For instance, if I say yes, I really want to improve my photography but I haven’t done anything to improve then maybe I don’t really want to get better. If I say no, I don’t want to improve my photography because it is the best it can be then am I saying it is the best, or am I not capable of improving?

    Maybe it’s just me but I always want to improve. While I may not have shared many new images doesn’t mean that I’m not shooting photographs. A good number of things I photograph are never intended to be anything more than experimenting or testing. I read loads of articles and listen to photography podcasts. I study photographs of others. I don’t want to copy another photographer’s style but may use bits and pieces of many styles to build my own.

    There are many great photographers nowadays. We have loads of resources available at the tips of our fingers. We have access to vast amounts of knowledge and experience in photography and we have technology built into our modern cameras that the masters of the past could only dream about.

    I hope everyone really wants to improve their photography and if you haven’t already actively done something to improve your photography, start today. Let’s grow and improve together!

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  • How to rise above the crowd

    How to rise above the crowd

    Photo by Snapwire on Pexels.com

    Just think about the sheer number of photographers there are today compared to 50 years ago. And the number of good to great photographers has also increased dramatically in 50 years. Can we rise above the crowd? If so, how can we rise above? To rise above the crowd we have to photograph things in a way few photographic artists photograph them. Take a look at the multitude of photographs out there. The greatest number all look similar to one another. We don’t even have to invent new techniques. We can blaze a new trail or we can go back and study what was done before and find the style that preceded that is used little. A perfect example is clothing styles. An older style is revitalized with a slightly new twist.

    Much of our problem today is there are many more copycats than trailblazers. I’ve got my gear ready to blaze a new trail through the jungle of photography. This is a time to let our vision run wild and look for new ways to do what may have been done before. We have the tools, we have the knowledge, we have the passion.

  • What’s the best?

    What is the best [ insert name of a piece of gear ] for [ insert photographic activity ]? I see these questions asked every single day. Do you know what I rarely see? I rarely see the question asked what is the best way for me to learn. When you do see that question asked the vast majority of answers are based on watching YouTube videos. I have nothing against YouTube or video learning. There are some great videos on photographic subjects but is it the best way to learn? I don’t think so and I’ll explain why.

    Watching a video to teach photography my lighting conditions may be entirely different than those of the video. To me, it is like knowing the shutter speed, aperture, ISO, focal length used to take a photo. It only tells part of the equation. Knowing these things doesn’t tell me anything about lighting conditions. If it was cloudy, how cloudy, if it were sunny how sunny.

    Another issue is there is no interaction between the student and the instructor. What if I have a question? I could leave a comment, or send an email but will it be seen and replied to? If it is seen and replied to when, how long? Then what if I have a follow-up question?

    In my way of thinking, the why is just as important as the how. I’ve watched hundreds, if not thousands, of videos on photography and photography techniques and I rarely see the instructor talk about the why. The videos are primarily focused on the how.

    We all learn differently, but human interaction is a very important part of learning. The interaction of the teacher and student or mentor and mentee. I finished my photography classes years ago and was fortunate to have a very helpful instructor. I have also been fortunate to be surrounded by photography friends that are very good. The knowledge of good photography is more important than the gear. The best knowledge comes from a variety of sources which includes working side by side with a good or even better a great photographer.

  • Photographer or tech geek?

    Photographer or tech geek?

    The more I read posts and comments in social media photography groups the more I wonder if many of these people are truly photographers or tech geeks. To a certain extent, technology has made photography easier but it is still the person who is the photographer, not the camera. There is so much gear bashing and gear obsession in the media and especially in photography groups. People even argue over what programs and computers people use to post-process their photographs. Does it really matter what you use or do the results matter? I think the results matter more than what stuff I use which is why I don’t get involved in those debates, I just see them.

    Gear can be important but what is more important are the results. Don’t let your gear define you let your results define you.

  • The creativity challenge

    The creativity challenge

    The creativity challenge for my had become a struggle for me. I felt like I wasn’t able to come up with creative ideas. I started writing a blog several months ago with my daily thoughts. The blog entries as typically short and to the point. Since I have started on this site, this is my 89th post. Some days were difficult in getting something written but as time went along it became easier to get started. As you may tell from the image above, I am starting to do just as I have written about. I”m trying out some bizarre and different techniques. I also noticed last night as I was sitting watching a movie with my grandsons I came up with a photographic project to work on. I feel like I’m getting back in the creative groove. My inner muse is starting to awaken after a long rest.

    Awaken your inner muse. It may take some time and some effort but it can pay off. I’m no longer afraid of blazing a trail on the wild side of my photographic art.

  • Artistic vision – Your license to not please everyone

    Artistic vision – Your license to not please everyone

    Do all your photographs have to look like photographs? I don’t believe so. I believe in creative vision. I may decide to take a photograph to an extreme and apply all sorts of techniques to it. Will everyone like it? Most likely not. Do I care if everyone likes it? No. I create art and photographs for myself. If others enjoy it that is a bonus. There are those who don’t believe in any post-processing and use images straight from that camera. Some are fantastic and some are not. It’s their vision. Likewise, I may choose to do a massive amount of work on a piece of art, even so far as combining elements from several images. That is my vision.

    My mind is a fascinating place and can change visions at a moment’s notice. And my mind may notify me of the change without conscious thought. I like to explore many creative styles, I don’t like to lock myself into a pigeonhole of one style. This mindset may be attributed to being nearly forced into conformity in the past by photography groups and clubs that defined a good photograph as one that looked like everyone else’s photograph. Often the only thing we lacked was a uniform we had to wear to participate. Explore your creativity, try way out techniques, try bizarre styles. It will free your creative soul.

  • Photography shows others your world

    Photography shows others your world

    Photography records my world and my view of it so I can show others what I see and how I see it. Just like any other art form I decide what to show and how to show it. This is especially true with digital photography and programs like Photoshop. We can transform ourselves into superheroes or other worlds. Digital photography has become more of an art form than ever if we just open our minds and hone our skills. Go forth and create some magical art.