Photographer Clay

Tag: Photoshop

  • Sometimes you have to do simple

    Sometimes you have to do simple

    We were able to “dodge the COVID bullet” for two years until this past week. At first, I suspected I was getting a bit of a cold but soon tested positive for COVID. While I never really felt sick (I’m chalking it up to being current on COVID vaccines) I just didn’t feel like I had much energy, thus the blog went unwritten for a few days.

    During that time I was isolated I received colored gels for use with studio lighting. Since I was feeling I had a bit more energy and was still “stuck” in my house I decided I’d experiment with the gels just to see if they were actually going to fit my need. It’s a nothing photograph of a vintage telephone that sits in my office. I used one of the purple gels to just see how much it changed the color of the light. Experiment success.

    Over the years, I have learned it doesn’t always take something exotic or elaborate to get you inspired and moving again. Sometimes you just need to do something simple. Here’s to getting back on track again. And for those following my journey to retirement from working for others and my journey into the full-time art and photography world, I’m down to 57 days, which equates to something like 34 working days.

  • The importance of model releases

    The importance of model releases

    I didn’t always get model releases signed. Nowadays, I get a model release anytime I photograph people unless they are clearly in public. I do this even when I have no intent to sell the images commercially. Why? Because I have had two occasions where I photographed a model and then a couple of years later they, the model, decided they didn’t like the photograph or photographs. Fortunately, in both instances, I have a signed model release that clearly states I have ownership of the photographs resulting from the session and they have no further claim and the permission is irrevocable. I will say this, in both instances, I followed through with the requests just because it wasn’t that big of an issue for me. On the other hand, the photographs that I was requested to “take down” are examples of my work and were damn good in my opinion.

    One of the biggest reasons model releases are important is that they protect both you and the model by clearly outlining how and where the photographs may be used. In my trade of time model release, I also include how many photographs the model will receive in exchange for their time, a time limit as to when they will receive the images, and the minimum size of the digital images. I also suggest they read the text of the release BEFORE signing. Once the release is signed an email version is sent to both the model and myself.

    If you are not using model releases I would strongly suggest you consider them for each and every session you do with models. As the old adage goes a verbal agreement isn’t worth the paper it is written on.

  • Time and the part-time artist

    Time and the part-time artist

    I suspect I’m not the only one who experiences the problem of feeling there is a shortage of time and creating art. Currently, I work a 40-hour-a-week job and create art in my “spare” time. Lately, it seems that “spare” time is virtually nonexistent. I’m up every day at 4 AM, the three S’s, make coffee, and sit to write a blog entry. Then it is off to the “job”. My so-called 9 to 5 isn’t mentally taxing but it is often physical. By the time I get back home at about 3:30 PM, I’m just ready to vegetate. There are days when I force myself to come in and work on some projects but over the years what I have discovered is that creativity just can’t be forced. It doesn’t happen when you sit down and say, come on come up with some great art, at least for me.

    I know it is difficult to say, to hell with it I’ll just quit my job and work making art full-time. Most of us have commitments and bills to be paid. We also know it is tough to break into becoming a successful well-paid artist. So, what is happening for me, is that I have worked at a job for the past 50 years or so and I’m in a position to retire and devote more time to creating art. My health is still good, but my mind, well sometimes it wanders, oh look a squirrel, and then suddenly a random song or line from a movie pops out.

    It’s never too late to start creating art. If you are passionate, I know that word gets bantered about far too often, about creating art take advantage of it, and do as much as you can as soon as you can, but I have also seen many people get burnt out when working a “day job” and creating photographic art. Many I have known over the years are no longer photographers or, as I have done a few times, let their equipment sit for weeks or months at a time. This is the quandary of the part-time artist. So much to create and often so little time.

  • Are artists locked into idealized worlds?

    Are artists locked into idealized worlds?

    I’ve become disillusioned by what used to be a favorite podcast. In the last podcast, I listened to the podcaster stating that we, artists, envision an “idealized” world. We work to eliminate objects from our works that we don’t want to show. I’m not sure that is always correct. Sometimes, at least for some of us, we show the world as it is. Sometimes the world is a harsh and ugly place and deserves to be shown that way.

    I will agree that we as artists and photographers may be selective in what we include in our work but this is often necessary to bring attention to the world around us. Sometimes, artists and photographers are limited by the limitations of our equipment or the canvas. Sometimes we do want to visualize an idealized world but there are times we don’t, at least not to me.

    My goal as an artist is to bring viewers into a reality of the world and things around me that may not always be ideal. Photographic art cannot recreate the world because we are limited only to the sense of vision. Our other senses, at least for now, cannot be passed on to the viewer so I may have to visually bring the viewer to imagine those things by how I choose to develop the final artwork. If that is an idealized version so be it as I work to bring the viewer into the world or subject as I visualized it at the time. I choose not to compete with other artists or photographers but to bring a piece of my world to my viewers.

  • Something I don’t understand about some photographers

    Something I don’t understand about some photographers

    I recently read a discussion about using Photoshop CS6 which was released in 2012 on a computer with the latest operating system. Photoshop CS6 was the last version of the program before Adobe introduced the subscription model. It has been 10 years. When I first bought Photoshop I paid somewhere around $700. To upgrade every 18-24 months was around $200. So in 4 years I went from Photoshop CS4 to CS6 and spent somewhere in the neighborhood of $1,100. This doesn’t count Lightroom, which costs $199 and upgrades another $80 or so.

    From CS6 until today to get continuous upgrades I’ve spent around $1,200 in 10 years! I will just never understand. I spend less money today than I used to, and I get the program’s latest version. In fact, I get two programs for less than I spent previously just for Photoshop.

    Many of those complaining about the “subscription” model uses the “but you don’t own the program” argument. If they had read the license they would probably realize they never owned the program, they owned a license to use the program which could be revoked. These same people also likely spend more on coffee each month.

    I just don’t understand wanting to continue to use outdated programs with outdated tools. I don’t use Microsoft Word or Excel much but I use them enough that I wouldn’t want to use a 10-year-old version of them. Photoshop and Lightroom I use nearly every day. To use Lightroom and Photoshop on the subscription model literally costs me 33 cents a day!

  • Art and photography aren’t about gear

    Art and photography aren’t about gear

    I belong to a social media group that is a camera brand-specific group and it can be a real source of drama. This morning while I was getting my coffee ready I was reading through some posts and noticed one where a member was chiding other members about posting photographs of their top-of-the-line gear and I get it. Some of those people don’t post photographs they take of other subjects but rather just their equipment seemingly to boast about what they have rather than what they can do with the expensive equipment. I’ve seen this plenty of times in other forums.

    Maybe I’m a bit jealous because I don’t have the budget to just decide to drop $2,000 to $3,000 on a lens, but at the same time, I have been able to buy some higher-end photography gear. In the end, it isn’t about the gear, it is about the results. I’ve taken great photographs with inexpensive lenses and a 14-year-old 10-megapixel camera.

    I also understand wanting to show off a new expensive piece of equipment. Pride in your gear is admirable, to an extent. What I would rather do is show off my new expensive piece of equipment with the final results of the photographs I’ve managed to take with the expensive equipment.

    Photography and especially art isn’t about what equipment we use but rather what we can do with the equipment we have. For me, I would rather see an artist showing me fantastic works with basic equipment. That, my friends, shows others they can do it as well.

  • Learn the rules like a pro so you can break them like an artist

    Learn the rules like a pro so you can break them like an artist

    I’ll be a bit philosophical this morning. Learn the rules like a pro so you can break them like an artist – Pablo Picasso is often quoted as saying. Pablo Picasso went through many different art styles and movements in his lifetime. As photographic artists, we should take the same path of working in different styles. We may have to walk down the dark alleyway to reach the door of success, but then that door of success may lead us to another path where the light leads us away from the established route.

    My journey as a photographer is to progress beyond merely copying the world around me but to explore both my vision and to take those who view my works to places that may not exist in reality but often exist in our minds.

    Even when I am photographing people I prefer to photograph the soul rather than merely the face as noted by Dragan Tapshanov who is quoted as saying, “Photography is about capturing souls, not smiles”. For this very reason, I spend a lot of time browsing through the works of others on a variety of photography and art sites.

    I believe people, places, and things all have a story. My goal as an artist is to bring the story I envision during my interaction with the people, places, and things I encounter.

  • Bad photography

    Bad photography

    Have you ever gone through your catalog of photographs and thought, “Wow these suck!”? That was my thoughts this morning. I was going through my catalog of photos in an effort to get my thoughts on what to write about this morning. I went through some older photographs and found some that just absolutely sucked. I don’t mean a little bit, these were horrible. The featured photograph was not one of them. Granted some of them were quite old but nonetheless they were awful.

    I’m certain that most of us have thought the same thing. I also know that my photography may not be considered suitable by the standards of others. We all have different styles and preferences when it comes to art and photography. What is important is that we are satisfied with where we are today and have the mindset to continue learning, improving, and growing as artists and photographers.

    I challenge each of us to objectively look at our past work and our current work and then make a conscious effort to improve. Join me in this challenge and together we can create the photographs and art we can be proud to show the world.

  • Is it too easy to be an artist?

    Is it too easy to be an artist?

    Is it becoming too easy to be a photographic artist? With all the advances in camera and software technology, it seems as if we can just point, click, and develop our way with little effort. Many would probably say yes it is becoming too easy. Not me. I believe all these advances allow us, the photographic artists more time to create work rather than spend time learning to do it the old-fashioned way. I also believe all the new advances have opened the door to creativity for many more allowing for new concepts and ideas to evolve.

    The ability to capture and process our art should become easier and we should allow more creatives to come into the world of art. Things like Photoshop and digital cameras didn’t kill the industry. The semi-closed system of photography and the egotism of many photographers in the past did that. Why not allow the common person the ability to show off their creative ideas.

  • It’s never too late to create

    It’s never too late to create

    Autumn is a fantastic time of the year for photography. It is full of color. Unfortunately, for me, it is too short. It often seems like once the leaves begin to turn within days they are gone, especially when you have to work your regular day job. I’m fortunate that come this time next year I won’t have that problem. This time next year I will be working on creating art whenever I want and wherever I can.

    I admire those who work full-time and still dedicate lots of time to creating art. You are the artists that inspire me and keep me motivated. My goal is to get others motivated and improve their skills. While I may be retiring from full-time employment I have no intention to stop working. My work will just change and it will be in creating art, writing, and sharing my continued journey with photography. It’s never too late to start.