An inspirational source is black and white movies. Typically those from the mid-1940s through the 1950s. To me, this black and white film era showed the work of true lighting masters. The work of the gaffers, grips and best boys was phenomenal. This always keeps me inspired to utilize lighting equipment and light modifiers when doing portrait work. Yes, even in daylight.
Even though my woodland fairy isn’t black and white and was shot near midday I set up lighting to give it the look I envisioned.
When I watch movies, especially those from the 1940s through the 1950s I pay special attention to the lighting. Many modern movies with color grading and highly specialized lighting equipment are beginning to influence me as well.
In each of the photographs, I have included in this post the lighting was very intentionally created. They all used light modifiers and supplemental lights.
Lighting does as much to create a mood or emotion as does the model. For me, to truly become creative it is important to learn to control the light.
Begin by paying close attention to the lighting and camera angles in movies.
Photographer Clay 
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